Wednesday, 4 May 2011

Critical Reflection and Summary: Digital Portfolio

Critical Reflection and Summary: Digital Portfolio
What do you need to know to be a professional practitioner? This is a question I was asked in the first lecture of Module 2(3835) this seemed an easy, self explanatory sort of question to ask, but 12 weeks down the line I’m still constantly adding to my originally seemingly small, narrow minded list. “It’s about finding our speciality within our sphere of Profession. I now realise I have much more to learn about the meaning of Knowledge by itself as well as how I need to look at my own knowledge and categorize it in more detail”  This is a snippet from my blogpost reviewing the campus session. Through reflection I realised my knowledge is Tran disciplinary because I carry the knowledge I’ve gained from my musical theatre training across to my solo Jazz singing therefore I am using specific knowledge for personal experiences.
To clarify and condense the reader I put Scholarly Research into simple steps, guidelines. This is one of the technical research structures I will be using in my Inquiry so it’ll prove useful. Throughout the first part of the module we discussed big questions and the purpose of our inquiry topic. Judging from reoccurring traits in my reflective poems my interests were veering to such questions as-How much and when do I listen to music? What effect does it have on my mood?
For the first task of the module I thought up some sub-questions but realised that my original ones could be answered already, which is uninspiring. Therefore I wanted to broaden from just the ‘I’ questions to a larger scale, as singing effects so many more people than just me, this led to my new Inquiry proposal of Why is singing such an important use of communication? On that note I set up my facebook thread to get my S.I.Gs started which has worked as a great way to communicate regularly with course associates. This resulted in ideas and helpful resources being developed. I’ve reviewed these in one of my Blog posts back in February.
Our Introduction to professional ethics at this campus session really inspired me to dig my teeth into the course reader, I can now define the difference between personal values and virtues which helps me when analysing ethical issues that occur in my professional practice. I put together a code of conduct, this ethical stance clarified the moral implications that were naturally in place within my professional environment.
After discovering that every practice has an ethical dimension I decided to find a relative to my profession I looked into specific moral dilemmas we encounter in music today I proposed normative questions to analyse the situation and looked at moral axiology using the applied and comparative ethics to analyse the different perspectives. Throughout this module I have kept track of my references and recently experimented with sharing these on a great bookmark and tagging site delicious.
To practice data collecting tools I composed a pilot survey and Interview. After deciding that singing as a communication was still too broad of a topic to base my inquiry on I realised that I was heavily interested in the effect that music has on both the singer and listeners, therefore I would focus on; does singing affect your health and wellbeing? I gained both qualitative and quantitative information from a variety of people as I used a representative sample of participants allowing me to analyse a reliable amount of data.
During this process I realised there were far too many sub topics and questions I wanted to answer in terms of my inquiry. In the midst of this confusion I met with my advisor who asked me; “In your profession what do people expect you to know?” I thought about the process of walking into a recording studio and getting to know the producer/song writer I’m working with and making them familiar with the music I want to make and why.  In order to be more specific, make more links and to generally sound more intellectual on the background and traits of the genres I want to infuse; I need to Learn, clarify and relate everything I should and need to know about the material I sing. Therefore I decided to base my inquiry on- What are the Links between Jazz, Pop, Soul and R’n’B and how have they changed over time? I can use all the information and data I’ve gathered over the past twelve weeks as resources for when I encounter the emotional links between these genres. After writing my plan I’m now looking forward to implementing the tools and techniques I have learnt during this module to my Inquiry.

Monday, 11 April 2011

6d for Delicious!

http://www.delicious.com/gunnelljoanna

I've posted a mixed sample of the academic and professional resources I use, some have been once and some are everyday. Take a look, any recommended literature would be higly appreciated!
Delicious is great! I have found so many data resources that'll I'll be using for my Inquiry.
The minute you tag a bookmark you get hundreds of recommended tags to look into that lead you to some great, very useful sites!
I'd highly recommend everyone to have a try if you haven't already,

6b...Inquiry Clarification

My Pilot Research Tools.

My pilot interviews were extremely beneficially as I gathered many perspectives on music and singing as a use of communication. My interviews were semi-structured which included a set of questions and themes with flexibilty of following interesting or useful emerging issues. The interviews were a useful tool to use because I could collect alot of valuable data about attitudes and expectations creating motives which is information that is less excessible without this personal approach.However it was extremely time consuming and analysing the data has proven complex. I decided to use 'Thematic categories' to interpret the meaning of the evidence presented. If I decide to use interviews as one of my research tools for my inquiry I would use a more structured interview method to stop me from threading of the subject too much and would have a time limit.
The 21 responses I received from my pilot survey have provided me with a good variety of Information to analyse and relate to my Inquiry. Howerver taking other peoples surveys made me realise I hadn't used the opportunity to its maximum benefits. For example Nikki-Louise McGowans Survey covered many different areas of her future inquiry with detail. Therefore If I decide to use this tool again for my Inquiry I will include more questions that'll provide me with more Qualitative outcomes.

Survey Results.
Using just the highest percentage, more people that completed my survey sang as part of their professional practice, the last time they sang was 'today' and hearing familiar music sparks thier singing.They think singing improves their health and well-being sometimes and can feel a difference in their mood after or during they're singing.
The one open response Question I put was- Why do you think people pay alot of money to go and watch people sing?
This question provided me with alot of great opinions on live singing and the effect it has on the audience.
One answer I particurly liked and will use a source of inspiration behind my inquiry was-

"Because it is a form of art that many appreciate, even people non able to sing well...it's a form of speaking with a soundtrack behind...very poetic!" (Unknown survey participant).

After a meeting with my advisor(Adesola) last week I have decided to steer away from the broad question of Whats the benefits of singing? to something that'll be more useful in my current and future Professional Practice and relates to the qualifications I already have. What are the links between the genres I sing? Jazz, Soul, R'n'B and Pop.

The research and work I  have already done can still be linked to my Plan and can works as part of my learning Journey.

Any suggested sources of information or Literature for my new Inquiry aim would be hugely appriciated!?

Tuesday, 29 March 2011

Rationale

After looking deeper into how we use singing/music as a form of communication I decided  it was too broad of a subject to focus my inquiry on as it lead to too many sub focuses which are very widely spread., Therefore something that particularly caught my interest was the effect the primary source (being the singers)and the secondary source (listeners) has on their health and wellbeing.
When looking into how singing is used within cultures and customs I realised the strength of the lyrics and the amount of positive outcomes from singing, I've decided to now focus my attention onto the effectsand specifics-
Does singing improve your health and wellbeing?
-I've decided to use a representative sample for a Quantative survey to provide me with a range of opinions on how and if singing effects their moods, health and wellbeing.

Singing survey.. PLEASE click on the link!

http://www.surveymonkey.com/s/6CNY8SB

Sunday, 6 March 2011

Professional Ethics (5c)

Looking at the sources helped me think of ethic dilemmas that occur in  my own professional practice, for example Case study 2:Ethics in photography about Kevin Carter.
With the objective to capture a rare moment on film the documentary photographer let a impoverished girl die when he knew he could of prevented it.
There are always two sides of every story so I decided to take a theoretical approach; Consequentialist, weighing up whether the outcome of the photo winning a Pulitzer Prize or him committing suicide for extreme guilt justifies/Balances out for the Sudanese girls life?
Everyone has their own opinion, from my perspective it is Morally wrong therefore I am taking a deontologist approach right or WRONG?
Where as if I were to think about Virtue ethics; the character of the moral agent and the given circumstances of his project. The photographers were instructed no to touch anyone for fear of epidemics.Therefore some could take that into consideration, however looking at his moral behaviour wouldn't your instincts be to save the child!?

 Reading the Professional ethics has made me find many hidden ethical dilemmas in our profession, relating to my recent inquiry of singing as a communication, that I hadn't previously thought of. We all listen to the radio often which has a high percentage of its broadcasting time playing music worldwide. An ethical dilemma within this area of communication is whether the material being broadcasted is always appreciate.

For example the shocking stories in the news about Chris Brown being accused of domestically violating Rihanna in February 2009. This public leak has had an affect on his music career but is the extent of it enough. His music is now played on the popular radio stations and soon enough he'll be touring again gaining a huge fan base. What kind of example is that setting for these fans?
I find this ethical dilemma causes many normative questions...
Taking the process of applied ethics; Does the sentence he received of 180 days of labor service in Virginia, five years of probation and was ordered to attend a domestic-abuse program for a year. Justify him being allowed to remain a hit making music star? Is this an acceptable resolution of the moral problem?
Moral axiology-Is what he was accused of classed as EVIL? against the GOOD consequences and what are they?
Is the growth of Rihannas fan base and success of her recent music due to this trauma?
Everyone should have the right to practice their art but is it right for him to gain such extreme success?
Analysing ethical problems and Using the moral theories I've learnt about in this reader result in more and more normative questions in everyday moral dilemmas.

References-
http://www.google.co.uk/imgres?imgurl=http://dailybabel.com/wp-content/uploads/2009/10/Kevin-Carter.png&imgrefurl=http://dailybabel.com/2009/10/16/united-nations-food-programme-world-food-day-billion-hungry/&h=288&w=457&sz=700&tbnid=EWYGv403iKETTM:&tbnh=81&tbnw=128&prev=/images%3Fq%3Dkevin%2Bcarter%2Bphotos&zoom=1&q=kevin+carter+photos&usg=__ohlENFqf3hwR0p5J1CMENa4gGjI=&sa=X&ei=CLFzTdrlDcPPhAew6JRJ&ved=0CB0Q9QEwAg
http://www.mtv.com/news/articles/1614470/legal-expert-talks-chris-brown-sentence.jhtml

Tuesday, 1 March 2011

5B

As I don't currently have a "work place" I thought I'd look into the Code of Conduct/Rules and regulations in potential future work places.

Choir Singers should:
  • be committed, reliable and punctual, always informing the choir trainer before being absent from rehearsals or services/concerts.
  • be an outstanding member of the choir, setting an excellent example to other singers through attendance, behaviour, commitment, and musical standards.
  • understand the delicate balance between giving a strong musical lead and blending with other singers.
  • understand that the choir is a team and that the practicalities of running the team are imporant, e.g. setting up rehearsal rooms, collecting music, etc.
  • take responsibility for the less experienced singers.

Here's a section out of Perry Road Recording Studio's Terms and Condition which most related to our kind of Code of Conduct. 

7.             Hirer's Compliance
7.1          The Hirer undertakes that it shall not bring into the Studio any alcohol, drugs, any illegal substance or any other substance for abuse, or any material which are of a dangerous nature, or an explosive nature or any materials whose possession storage or use might contravene any statute local regulations or bye-laws or constitute a nuisance to third parties.  The Company shall be entitled to immediately remove any such materials or substances described above.
7.2          The Hirer shall observe perform and comply with all applicable statues rules regulations and orders relating to its activities on the Company’s premises including without limitation the Health and Safety at Work Act 1974 and all associated regulations and approved codes of practice and the Hirer undertakes to ensure so far as reasonably possible the health safety and welfare at work of all employees of the Hirer and persons providing services for the benefit of the Hirer.
7.3        The Hirer confirms that the Company and any inspector appointed by the Health and Safety Executive, any fire officer or officer of any other regulatory body having authority over the Studio shall have the right to inspect without prior notice at any reasonable time the Equipment and the Studio for the purpose of complying with such inspector or officers duties or for the purpose of ensuring compliance by the Hirer of its obligations.
7.4        The Hirer shall arrive and leave the Studio in a considerate manner without causing any nuisance undue noise or disruption to others and shall comply with all access exit and parking requirements stipulated by the Company.
7.5        In the event of the Hirer’s failure to comply with any of these terms and conditions the Company shall be entitled to immediately terminate the period for hire and to retain all payments made by the Hirer. For avoidance of doubt the Hirer shall be liable in any event to pay for the full period of Studio hire booked.

Buskers may not:
  • Cause or promote a public disturbance
  • Block pathways, fire exits or impede traffic
  • Play louder than the volume limit set by the local authority
  • Hinder or prevent the passage of any emergency service or personnell
  • Actively request money by asking for a donation or by shaking a collection box (unless they are collecting on behalf of a charitable cause in which case permission to collect must be sought from the local authority)
All of the behaviour guidelines, rules and regulations are very site specific, the standard traits are on respect for others, the premises and the audience which is included in the code of conduct I put together for a solo singer.

 References-
http://www.vocalist.org.uk/busking.html
http://www.perryroadstudios.co.uk/rates/7
http://www.stmaryshemel.org.uk/choircodeofconduct.htm